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GIACOMO PUCCINI
LA BOHÈME
Sunday, 19 January 2025, Hour 18:30
Main Hall

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Conductor: David Crescenzi


Mimì: Tatiana Lisnic (guest)
Rodolfo, poet: Hector Lopez
Marcello, a painter:  Mihai Damian
Musetta: Manuela Ipate (guest)
Schaunard, a musician:  Cristian Hodrea
Colline, a philosopher: Corneliu Huțanu 
Parpignol: Cezar Baltag
Benoit, the house landlord: Simonfi Sandor
Alcindoro: Petre Burcă
The Sergeant: Alexandru Potopea
A customs officer: Tudor Demeter

Artistic direction: Mihaela Sandu-Bogdan
Scenography: Dragoș Moldovan
Choir conductor: Corneliu Felecan
Stage director: Iulian Dumitraș
Assistant stage director: Alexandra Ciurbe
Prompters: Monica DenițiuLiana Oltean
Musical preparation:  Lelia SerafinceanuNagy GergőAdelina Sabău

The Orchestra and the Choir of the Romanian National Opera in Cluj-Napoca

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show category: opera, Premiere

Opera in four acts (libretto by Giuseppe Giacosa & Luigi Illica, based on Henry Murger’s Scènes de la vie de bohème)

Recommended Age: 7+

The combination of love, tenderness, and sacrifice spirit found between the young Mimì and Rodolfo, or, on the other hand, of love, jealousy and extravagance that keep Musetta and Marcello together, but also the comical situations centered around Benoit – the owner of the garret where the four artists live –, or around Alcindoro – the funny, but rich, old man who accompanies Musetta – are all revealed by charming sonorities, expressive melodies and perfectly-adapted dynamics. The tragic death of the heroine is simply emphasizing the verist essence of the opera. Despite the misery they face in everyday life, these four friends – Marcello the painter, Rodolfo the poet, Schaunard the musician, and Colline the philosopher – stick together until the end!

It’s all about Puccini’s La bohème, inspired by Henry Murger’s La Vie de bohème novel, which renders a chapter of the four artists’,, terrible and jolly life”, and relies on autobiographical facts.

Albeit at its premiere, held on February 1st, 1896 under Arturo Toscanini’s baton on La Fenice Theatre’s stage in Venice, the music critic Carlo Bersezio argued that, most probably, the interest in Puccini’s La bohème will not last much longer, the charming opera will conquer the entire Italian peninsula, but also Buenos Aires, Alexandria, Lisbon, Moscow and London (at Royal Opera House), achieving worldwide success.

The performance has two intermissions and ends at around 9.30 p.m.

The performance is interpreted in Italian with Romanian supertitles.