MAIN HALL
distribution
Artistic direction: Ina Hudea
Scenographer: Liliana Moraru
Stage movement, Choreography: Marius Toda
Chorus conductor: Corneliu Felecan
Nabucco: Geani Brad (debut)
Ismaele: Sorin Lupu
Zaccaria: Petre Burcă
Abigaille: Dragana Radakovic (guest)
Fenena: Andrada Ioana Roșu-Vaida
The Big Priest: Simonfi Sándor
Abdallo: Florin Pop
Anna: Lucia Bulucz
The Orchestra, The Chorus, and The Ballet Ensemble of The Romanian National Opera of Cluj-Napoca
description
show category: opera
Opera in four acts on a libretto by Temistocle Solera, inspired by the play Nabuchodonosor by Auguste Anicet-Bourgeois and Francis Cornu and the ballet Nabucodonosor by Antonio Cortesi
Besides the impressive composing skills particularly exerted in the lyric genre, Giuseppe Verdi (1813 – 1901) – “l’italianissimo” – was famed during his life for his creative excellence and the revolutionary, patriotic attitude, as a distinguished supporter of the fight for the unification of Italian states. Of all the operas that reflect his militant attitude, Nabucco has a special resonance. After the relative success of the first two operas presented on the stage of the Scala Theatre of Milano and after successive losses of family members in just two years (1838 – 1840), Giuseppe Verdi had given up the idea of ever composing. However, he was deeply moved by Temistocle Solera’s libretto, inspired by the Old Testament and, implicitly, by the praying verses which would later form the chorus of Jewish slaves – Va pensiero, sull’ali dorate –, which determined him to return to his creative art. Throughout 1841, Verdi composed the opera Nabucodonosor, which would open at Scala in the following year, on 9 March, marking the beginning of an undoubtedly bright artistic career and setting a popularity record that still holds to these days.
The subject follows, throughout the four acts, the evolution of the Jewish people’s condition – from oppression to freedom – but also the evolution of emperor Nabucodonosor’s attitude – first arrogance, then humility – regarding the Almighty God. Ina Hudea’s directing vision is faithful to the original dramaturgical conception, while Liliana Moraru’s scenography displays its spatial component in a modern, contemporary context.
The performance has one break and ends around 9.30 p.m.
The performance is interpreted in Italian with Romania supertitles.
Recommended age: 7+