Main Hall
distribution
Direction and choreography, after Marius Petipa’s classic choreography: Felicia Șerbănescu
Performance preparation: Vasile Solomon / Dan Haja
Scenography: Valentin Codoiu
Distribution:
Kitri/Dulcineea: Andreea Jura / Adelina Gribincea
Basil, Kitri’s fiancé: Dan Haja / Mircea Munteanu
Don Quijote: Radu Sântimbrean
Sancho Panza: Vlad Maier
Mercedes: Doina Florea
Espado: Mircea Munteanu / Lucian Bacoiu
Two flower girls: Cristina Pop, Petra Trăilă / Laura Pop, Dalia Costea
Spanish girls: Dorina Lucaciu
Dryads fairy: Doina Florea
Little Cupid: Laura Pop
Fandango soloists: Dorina Lucaciu, Romulus Petruș
Gamache (The Dandy): Octavian Popa
Lorenzo (tatăl lui Kitri): Marius Toda
The Orchestra, the Soloists and the Ballet Ensemble of the Romanian National Opera in Cluj-Napoca
description
show category: ballet
Ballet in two acts and a prologue libretto by Miguel de Cervantes’ homonym novel
Recommended Age: 5+
Although Cervantes’ Don Quixote novel inspired several ballet productions signed by some notorious choreographers, the Balșoi production (1869) that was born from Marius Petipa’s and Ludwig Minkus’ collaboration brought, at least to the second of them, not just and unprecedented succes, but also the Imperial Ballet from Sankt Petersburg’s official composer position.
Indeed, the rhythmic vivacity and enchantingly melodiuous music of the austrian composer’s matched perfectly the comic scenario centerd around lovers Kitri and Basil, and around Don Quixote. Smitten by Kitri’s beauty, which makes him confuse her with Dulcineea – the lady of his dreams – Don Quixote starts his search for the girl, after she runs from home with Basil, to avoid being parted by her father. The knight will contribute significantly in bringing the two lovers together, tricking Lorenzo – Kitri’s father – into accepting their marriage. Thus, the “vicissitudes” fallen over the couple are blithely overpassed and the story ends with a soumptous wedding party, attended, for a few moments, also by the wandering knight and his squire Sancho Panza.
The performance has one intermission and ends at around 8.45 p.m.