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JOHANN STRAUSS II
DIE FLEDERMAUS
DIE FLEDERMAUS
Monday, 30 December 2024, Hour 18:00
Main Hall

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Conductor: Vladimir Lungu


Gabriel von Eisenstein, the landlord: Marius Vlad Budoiu
Rosalinde, his wife: Lorena Puican (guest)
Dr. Falke: David Pogana
Adele, Rosalinde’s maid: Lucia Bulucz
Frank, the prison governor: Petre Burcă
Prince Orlofsky: Alexandru Costea (guest)
Alfred, tenor, the Prince’s teacher: To be determined
Dr. Blind, lawyer: Sebastian Balaj 
Ida, Adele’s sister: Alexandra Topan 
Frosch, the prison guard: Bogdan Bob Rădulescu (guest)
Ivan Pavlovic, the butler: Tudor Demeter (guest)

Artistic direction: Rodica Popescu Moisa
Artistic direction take over: Mihaela Sandu
Scenography: Andrei Șchiopu
Scenography take over: Magdy Hawash

Chorus conductor: Corneliu Felecan
Choreography: Adrian Mureșan
Choreography training: Daniela Drăgușin


The Orchestra, the Choir, and the Ballet Ensemble of the Romanian National Opera in Cluj-Napoca

description

show category: operetta

Operetta in three acts on a German libretto by Karl Haffner and Richard Genée

The performance played in Romanian

After the wonderful musical supervision composer J. Strauss himself signed for the absolute premiere on 5 April 1874, the operetta “The Bat” would further trigger humor and an unparalleled joie de vivre with every new performance. The charm of the Viennese composer was highly appreciated by some of his contemporary composers, such as Johannes Brahms, who is believed to have attended every performance of the operetta and Gustav Mahler has also brought distinction and complimented Strauss’ waltzes, in which he saw an “enchanting uniqueness and inventiveness”.

Once we enter the story of the operetta, the sumptuous masked ball comes to life and lights the Russian prince’s court, framing perfectly the racy encounters of the variously disguised characters: the rich bourgeois couple with marital problems, the wife’s maid and her demanding sisters, a talkative and righteous jailer. They all proceed on a humorous, symbolical journey, which starts in the dancing saloon and ends in prison, and which provides various opportunities for farce and humor, but also for sincere emotions and a surprisingly realistic perspective upon life, scattered with abundant laughs and champagne.

“The Bat” is the most beloved, lively, and eagerly awaited performance that heralds each New Year’s Eve. J. Strauss-son’s creation has been enjoyed for decades as a New Year’s lyric tradition, in opera theatres all over the world, and brings the same joy every time, the same electrifying and jocular atmosphere, in an enchanting, unforgettable performance!

The performance has two intermissions and ends at around 9.00 p.m.

Recommended Age: 5+

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NICU CHERCIU

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